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As the person charged with the task of seeking out prints for films screened in the Walker Cinema, I’ve found historically that 35mm prints from the 1980s are the hardest to find. Why this is is anyone’s guess; perhaps films from the 80s aren’t...
Still from Good Cats (Hao Mao), 2008
As attested by the remarkably choreographed festivities at the 2008 Beijing Olympics, the Chinese know how to party—and nothing was spared for the recent celebration of the People’s Republic of China 60th...
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Formally, the film is deep-dish pleasure. Cinematographer Ed Lachman (using the Red camera system) enables Solondz to raise his visual game to a new level; the richly colored compositions are as bold as the...
By Jon Maichel Thomas
In 2003, my wife and I packed up and moved to New York City. She landed a prestigious internship with Pentagram Design and I followed looking for a new opportunity. Exactly one week later, I landed a gig with Big Film...
It’s a big film weekend in the Twin Cities. Our Joel and Ethan Coen series continues with screenings of Fargo; Intolerable Cruelty; O Brother, Where Art Thou; No Country for Old Men; and The Ladykillers.
With all of our screenings, we’ve certainly had...
