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Opera Warhorses

An appreciation and analysis of the 'Standard Repertory' of opera
Opera Warhorses Blog  
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Florez and DiDonato Dominate Los Angeles Opera's "Barbiere di Siviglia" – December 6, 2009

Dec 10, 2009
The title of Gioacchino Rossini’s most famous work, identifying the occupation of a chief character, Figaro, derives from the subversive French play by Beaumarchais that helped accelerate the national campaign against aristocratic privilege that...

Korchak, Coburn and Meachem Illuminate Alternate "Barber of Seville" Cast – Los Angeles Opera, December 5, 2009

Dec 8, 2009
The Los Angeles Opera, whose general director Placido Domingo is arguably the world’s most dominant personality in grand opera, has become a favorite destination for many of the world’s great artists. Domingo’s casting choices show a keen eye for the...

Domingo's Towering "Tamerlano" Bajazet: Los Angeles Opera – November 22, 2009

Nov 24, 2009
Placido Domingo’s 20th century career was built on a  tenor repertory encompassing an amazing breadth of lyric, spinto and dramatic tenor roles. In the new millennium, with widespread recognition as the greatest and most famous of contemporary...

Tenore di Forza: An Interview with Salvatore Licitra

Nov 20, 2009
Wm: At the time of this interview, you are performing the title role of Verdi’s “Ernani”, a mid-nineteenth century Italian opera based on an early nineteenth century French play about the sixteenth century Spanish conception of “honor”. How...

An Interview with San Francisco Opera's David Gockley – Part Two

Nov 18, 2009
Wm: You have had a long association with Francesca Zambello, and, in a difficult period, stepped in to assure that her conceptualization of Wagner’s “Ring of the Nibelungs” would be completed and ready to be performed by the San Francisco Opera in full...


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